Every story on this shelf comes out of Story Cards — a writing tool where scenes are cards, dialogue reads like a screenplay, and images are framed like shots. Here's the whole process behind The 6:40, start to finish.
A new project opens on the Project Manifest: title, subtitle, logline, theme, cast, locations. It's the story's ID card — everything else selects from it.
Each scene is a card: a title, a one-line scene action, then the script — narrator VO, character dialogue with avatars, and soundscape notes, stacked like a screenplay. Word count sets each card's timing automatically at your reading pace.
Every card gets an on-screen image — searched from Pexels inside the tool (photographers are credited automatically), uploaded, or reused from the project. The image becomes the card's backdrop, so the deck reads like a storyboard.
The heart of the craft: one beat, three shots. His face — the empty bench — his face again, closer. The return shot isn't a new photo; it's the same image with a stored zoom and focal point. Each shot carries its own seconds and a line of micro-VO, and the cuts land as hard jumps, exactly on time.
Every shot gets a Ken Burns move — push in, pull out, or pan — and a push-in always lands on the framing you chose. Draw on a shot to circle a detail; drop text or emoji stickers where a broadcast overlay belongs. In The 6:40, a red ring marks where the note is taped.
Perform mode is a teleprompter stage: the shots play behind the words, micro-VO advances with each cut, and the timing bar keeps you honest. It's the rehearsal room and the preview of the published piece — they're the same stage.
Export produces a single HTML file: the whole story, clickable, with auto-read narration and an autoplay mode that watches like a video. It ends on a credits card naming every photographer. That file is what you're reading stories from right now.